Roger de LA FRESNAYE 1885-1925

Works
Biography

Roger de la Fresnaye is most commonly considered a disciple of Cubism, even though his subjects remained representational and never fully abstracted. Fresnaye studied at the Académie Julian, the École des Beaux-Arts, and Academie Ranson where he worked under Maurice Denis and Paul Sérusier, both of whom were hugely influential in Fresnaye’s work. He was also attracted to both Symbolist and Expressionist styles before finally adopting Cubism’s geometric deconstructions of form. Fresnaye also became involved with the Puteaux group, which assembled in the studio of Jacques Villon, and the Section d’Or. He drew inspiration from Paul Cézanne’s abstractions and Robert Delunay’s Orphism. Towards the end of his career, he abandoned avant-garde forms and became a champion of traditional realism.

Roger de la Fresnaye is most commonly considered a disciple of Cubism, even though his subjects remained representational and never fully abstracted. La Fresnaye studied at the Académie Julian, the École des Beaux-Arts, and Academie Ranson where he worked under Maurice Denis and Paul Sérusier, both of whom were hugely influential in La Fresnaye’s work.

He was also attracted to both Symbolist and Expressionist styles before finally adopting Cubism’s geometric deconstructions of form. Fresnaye also became involved with the Puteaux group, which assembled in the studio of Jacques Villon, and the Section d’Or.

He drew inspiration from Paul Cézanne’s abstractions and Robert Delunay’s Orphism.

Towards the end of his career, he abandoned avant-garde forms and became a champion of traditional realism.

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