Paul SIGNAC (1863-1935)

A leader in neo-impressionism, Signac is also recognized as the master of watercolor, a genre to which he devoted himself during the last fifteen years of his life, with the sea at the center of his work …


Latest exhibition
SIGNAC Watercolors

See the page dedicated to this exhibition
with the catalogue and the presentation of all the works


One minute with Paul Signac

 

One minute with Signac and its Ports de France

 

 

Selection of works by Paul Signac currently available

Paul Signac, Honfleur, la jetée, 1930
Paul Signac
Honfleur, la jetée
February1930
Watercolor
28,3 x 45,3 cm

 

Paul Signac, Saint-Tropez, nocturne, Circa 1910
Paul Signac
Saint-Tropez, nocturne
Circa 1910
Watercolor on paper
Stamp of the signature lower left
Located lower right
10,5 x 18,4 cm

 

Paul Signac, Port-Louis, les sardiniers, Circa 1920
Paul Signac
Port-Louis, les sardiniers
Circa 1920
Watercolor on paper
Signed and located lower left
28,3 x 37 cm

 

Paul Signac, Paris, la Seine au quai de Grenelle, Circa 1910
Paul Signac
Paris, la Seine au quai de Grenelle
Circa 1910
Graphite and lavis on paper
Signed with the initials lower right
Annotated lower left
22 x 28,8 cm

 

Paul Signac, L’Estuaire du Trieux à marée basse, Circa 1925
Paul Signac
L’Estuaire du Trieux à marée basse
Circa 1925
Watercolor on paper
Stamp of the signature lower left
10,4 x 16,4 cm

 

Price upon request. Contact us


 Signac, leader of neo-impressionism

Signac painted in the Impressionist manner until his meeting with Seurat, a capital turning point in his work. The following year he met Pissarro and Félix Fénéon, an art critic and the future aditor of La Revue Blanche and inventor of the term Néo-Impressionism – the movement of which both Seurat and Signac were the ultimate representatives.

As early as 1886 he adopted the divisionist technique and helped it to evolve. He developed his large oil compositions in the workshop and progessively evolved towards watercolours to which he eventually dedicated himself entirely.

The sea occupies the major role is his work. A sailor at heart, he owned 32 boats over the course of his life. In 1892 he adopted the port of Saint Tropez which he painted from on board his boat.

Marked by Japanese prints unitl 1900, he underlined his dots with a black line. From 1902 onwards, his watercolours prefigured fauvism and the liberation of colour which Matisse, under the influence of Signac and Cross, continued.

If he remained faithful to rigourous divisionism in his oils, his watercolours gave free reign to his natural vivacity. He virtuously painted the changing universe of port life and the lapping of the sea. As unique drafts, watercolours leave no room for mistakes but do allow for freer and more spontaneous fragmentation. His collection of watercolours, the diary of a tireless traveller, a complete tour of France’s ports is, in itself, a monument. He is a Master of this genre.


Latest exhibitions:

2001
“Paul Signac” at the  Grand-Palais – Paris
“Signac le marin” at Galerie de la Présidence

 2011 “Signac les ports de France” in the Musée Malraux in Le Havre then in the Piscine-musée d’art et d’industrie André Diligent in Roubaix.

Paul Signac (1863-1935) : Lumière du Midi

Musée Yves Brayer, Les Baux-de-Provence
From May 19th to September 2nd  2018 

Galerie de la Présidence lends works to this exhibition.

Read more about this exhibition

Read more about our loans to museums in 2018